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First Port Home, Awahou North

This photograph is described as the 'First Port [Family] Home' on the back of the print supplied. However, this is almost certainly a 'bush shanty', a temporary shelter made by timber workers. The use of split palings to form the walls is common among these structures, and the roof of the hut could well be a tent. Several of the men in the photograph are holding axes.

The date and creator of the photograph are unknown, but it has been suggested that the photographer was Charles Wildbore.

Bush Shanty - Badger House

The print from which this image was taken has 'Badger House' written on the back. However, this looks more like a 'bush shanty' than a temporary home, as the roof has been made from a tent, and the walls from punga logs. Bush shanties were commonly constructed by timber workers as a form of shelter whilst on the job, and many similar to this can be found in books on the early history of the industry.

While the photographer and the date are unknown, it has been suggested that Charles Wildbore was the creator. His work often display a quirky sense of humour, such as posing bushmen in front of a shack reading newspapers as if they were members of a gentlemen's club.

Dairy Farm

This photograph was part of the accumulation making up the Pohangina Collection. There was no information accompanying it so the image may not even be of the Pohangina area. The photograph is almost certainly one of a family farm rather than a temporary bush dwelling. Five people can bee seen - a bearded man to the far right, a younger child to his left standing between two cattle, a woman standing close to the cottage and a young man and woman centre left. The young man sits astride a cow with his arms folded, the woman beside him has her hands on her hips. It is tempting to see these gestures as proprietorial - we've felled the trees, sowed grass seed, brought in the cattle and mean to stay. The dwelling - shown more clearly in POH:40 - has net curtains at the windows, unlikely if this were a 'bush shanty.' Simon Johnson (2013)

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